![]() Clearly, Betty is an early example of the large-breasted, round-bottomed, barely-clad heroine of male fantasy that persists even in the most contemporary cartoon art, but her equally apparent ethnic heritage makes her a unique characterįrom her first appearance, Betty’s milieu most frequently resembled Max and Dave Fleischer’s own, In films like “Mask-a-Raid” (1931) and “Betty Boop’s Trial” (1934), the Fleischers spoof urban types drawn from New York’s immigrant neighborhoods in familiar vaudeville stereotypes like the big-nosed, mustachioed Italian, or the gibberish-spouting Chinese. When her small sneezes give way to a final large one, she blows herself across the finish line, coming in first and leaving the male-piloted vehicles in pieces behind her. In one cartoon, “Betty Boop’s Ker-choo” (1933), Betty actually wins an automobile race with a sneeze/orgasm. Max and Dave Fleischer, animation was for adults she frequently loses her top and trades on sexuality. ![]() When Betty Boop was introduced in 1930 by her creators. What made her a star, however, was not Jewishness, but overt sexiness.
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